Publisher description
The Methuen Drama Handbook to Performance and Interculturalism explores ground-breaking new directions and critical discourse in the field of intercultural theatre and performance while surveying key debates concerning interculturalism as an aesthetic and ethical series of encounters in theatre and performance from the 1960s onwards. The handbook's global coverage challenges understandings of intercultural theatre and performance that continue to prioritise case studies emerging primarily from the West and executed by elite artists. By building on a growing field of scholarship on intercultural theatre and performance that examines minoritarian and grassroots work, the volume offers an alternative view of what interculturalism might offer as a theoretical keyword to the future of theatre and performance studies, while also contributing an energized reassessment of the vociferous debates that have long accompanied its critical and practical usage in a performance context. The volume also tracks and tests the circulation of interculturalism outside the theatre due to its 21st century emergence as a keyword of state and social policy in Europe and Canada. By exploring anew what happens when the social, performance and interculturalism intersect as embodied practice, The Methuen Drama Handbook to Performance and Interculturalism offers new perspectives on a seminal theoretical concept still as useful as it is controversial. Featuring a series of indispensable research tools, including a detailed list of resources and a fully annotated bibliography, this is the essential scholarly handbook for anyone working in intercultural theatre and performance, and performance studies
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The Methuen Drama Handbook of Performance and Interculturalism
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